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The Jump Shot

The jump shot adds a vertical leap to your shooting form, letting you shoot over defenders from distance. The grip and upper-body motion are the same as a set shot, but now you spring up off both feet and release at (or just before) the PEAK of your jump in 'one motion' — leg drive flowing into the release.

FilmableFilm this on your phone and TrueForm measures your body mechanics and tells you what to fix. You get angles, not a made-up score.

What the camera readsShot releaseFilm from the side

The jump shot is your set-shot form with a two-foot jump added, so the ball leaves your hand higher and is harder to block. It is the most-used shot in the game, and the legs supply the power while the arm steers. The ball leaves near the top of your jump: a little before the top on outside shots, at the top on short shots in traffic. From the side the app reads your body, not the ball: your balance, how straight up you jump, when you release against the top of your jump, and your follow-through. It can't see the ball or verify makes.

Gather and load

1

Catch or pick up the ball in a balanced base: feet about shoulder-width, knees bent, toes toward the basket (or your shooting side turned slightly in), head over your feet.

Ready to go up the moment the ball arrives.

2

On the move, jump behind the ball so the catch and the shot are one motion, not catch, stop, then shoot.

The ball comes to you, you rise into it.

3

Off the dribble, pick the ball up in front of your shooting-side knee with your knees flexed. That turns sideways speed into upward speed so you can jump straight up instead of floating.

Plant, then up.

4

Bring the ball to a high set on the shooting side of your head, elbow in under the ball, chest up and trunk close to vertical. Don't drop the ball low or take it behind your head.

Ball high, chest tall.

Rise straight up

5

Spring off both feet straight up, or slightly forward on longer shots. Don't drift sideways or fade backward.

Up through the top of your head.

6

Let your legs do the work: the ball and your shooting arm rise as your legs extend, in one down-and-up motion. Your arms shouldn't cost you jump height: trained players jumped as high in a jump shot as in a maximal jump with hands on hips.

Legs first, the arm rides on top.

Release near the top

7

Match your release to the distance. On outside shots, let the ball go just before the top of your jump. On short shots in the paint, release at the top to get over the defender. In a lab study of 10 expert players, mid- and long-range shots left the hand on the way up, and the farther out players shot, the earlier they released.

Long shot: shoot on the rise. Short shot: shoot at the top.

8

Extend fully toward the rim: the elbow straightens with the arm going up at about 45 to 60 degrees, the wrist snaps and the ball rolls off your index and middle fingers with backspin.

Reach up and over the front of the rim.

9

Keep your head and shoulders moving forward and up toward the rim as you follow through. Don't lean back.

Chest goes toward the target, not away from it.

10

Hold the follow-through until the ball reaches the basket: arm up, index and middle fingers pointing at the target.

Freeze the finish.

11

Land softly close to your takeoff spot (a little forward on long shots is fine): bend your knees and hips, keep your knees over your toes, never land on straight legs. Landing forces in jump shots have been measured at more than five times body weight.

Quiet feet.

12

When a defender closes out, expect a quicker, higher-arcing shot. Pro players shooting against an opponent released faster and at a steeper angle, so practise some reps with a hand in your face, not only open ones.

Same form, just quicker.

Feel it

One motion from the floor to your fingertips: knees bend, the ball rises with you, and it leaves near the top of a jump that goes straight up. You come down soft, about where you took off, with your arm still up. Better shooters in one study set the ball higher, kept a more upright trunk and released higher, so it should feel tall rather than hunched. The app reads your body positions and timing from the side. It can't see the ball, the arc or your eyes.

Fix-its

  • You float sideways off the dribble Pick the ball up in front of your shooting knee, not out to the side, with knees flexed, and jump behind the ball. That turns sideways momentum into upward momentum.
  • You fade or lean back Send your head and shoulders forward and up toward the rim as you follow through. Only drift forward, and only a little on long shots.
  • Your shots come up short Usually no legs, an incomplete follow-through or an uneven rhythm. Use more leg drive, straighten the elbow completely and hold the arm up until the ball arrives. On outside shots, release just before the top instead of hanging.
  • Your shot is flat If your arm extends at under 45 degrees, raise it to 45 to 60 degrees for more arc. For reference, measured ball release angles were about 52 to 55 degrees from 2.7 to 4.6 m and 48 to 50 degrees from 6.4 m in 15 players. The camera can't measure this angle.
  • You land stiff or off balance Land on both feet near your takeoff spot, bending your knees and hips with knees over toes. If you can't land in balance, move closer until you can.

Drill

  1. Form jumpers: start about 1 ft from the basket and only move out while your technique holds. Wait to shoot from range until you're strong enough to keep the same form.
  2. Jump shot warm-up: from 9 ft, take 10 attempts and count makes and good-form shots. After 5 in a row at 9 ft, step back to 12 ft, then to 15 ft after 5 more in a row.
  3. Toss to the elbow: from the block, toss the ball so it bounces at the elbow, run to it, jump behind the ball, then catch and shoot in one motion. 10 shots per elbow, goal 10 good shots in a row.
  4. One-dribble jumper: from the elbow, one dribble straight ahead, pick up in front of your shooting knee and go straight up. Count makes out of 10 each way, goal 10 in a row.
  5. Contested reps: have a partner close out with a hand up for part of every session. Film from the side and check you went up and came down in the same place, the elbow straightened and the finish was held.

By position

Every position uses it: one study reports the two-footed jump shot is more than 70% of shots in a game. In a study of 15 players shooting from three distances, guards adjusted their mechanics to the longer distance more consistently than centres, so bigs extending their range should expect to build that adjustment with reps.

Sources

Last checked 2026-10-26.

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