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Stalls

Balance the ball still on a body part — foot, knee, neck, or head — and hold it. The freestyle art of the perfect stall. (Covers foot, knee, neck & head stalls.)

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What the camera readsStatic holdFilm from the front

A stall is a freestyle move where you bring the ball to a standstill on one body part and hold it there. Freestylers treat it as a basic building block, and there are many versions (foot, neck, knee, head, sole, heel). This lesson teaches the two with clear written coaching points, the foot (toe) stall and the neck stall; we read your whole-body balance and stillness while you hold it.

Set up

1

Get comfortable juggling first. Stalls are usually entered from keepy-uppies, so build your juggling record before you chase stalls.

Juggling is the base.

2

Start slow. Learn each stall by placing the ball with your hands, hold it as long as you can, rest, then try again. Only add catches from the air once the hold feels familiar.

Place it, hold it, rest.

Foot (toe) stall

3

Stand with your heel on the ground and pull your toes up toward your shin as far as they go. Place the ball in the pocket between your toes and your shin.

Toes up, ball wedged.

4

Keep the foot flexed hard and lift your heel off the ground. Balance the ball on the raised, flexed foot while you stand on the other leg.

Keep the pocket closed.

5

Get it up without hands: put the sole of your stalling foot on top of the ball, roll it back toward you, scoop it up off the toe with the same foot, then trap it by flexing the foot.

Roll, scoop, flex.

Neck stall

6

Practise the shape with no ball. Bend forward at the waist as if to touch your toes, so your back is flat like a table top.

Table-top back.

7

Spread your arms out like an aeroplane with the elbows back, then lift your head and look up. Lifting the head arches your back a little and makes a groove at the base of your neck for the ball.

Arms out, head up, groove.

8

Place the ball into that groove with your hands and hold the shape. Hold as long as you can, rest, and repeat. Stop if your neck or back hurts.

Look up, stay bent.

9

Once the hand-placed hold is solid, get the ball there from a foot stall or a thigh juggle: flick it up over your head, drop into the shape, and catch it on the back of your neck.

Flick, drop, catch.

Feel it

A good foot stall feels like the ball is wedged between your pulled-up toes and your shin, not resting loosely on top of the foot. A good neck stall feels like the ball is sitting in a groove you made by bending forward, arms out and head up. If all you can see is the grass under you, you've dropped your head and the groove is gone.

Fix-its

  • Foot stall: the ball rolls off the front of your foot Your toes aren't pulled up enough. Flex the foot as far as it goes so the ball sits in the pocket between toes and shin, and go back to heel-down holds until that's easy.
  • Neck stall: the ball rolls off as soon as your elbows go back You're looking down. Look up. Lifting your head is what makes the groove.
  • Neck stall: the ball rolls down your back You're too upright. Bend more at the waist so your back is flat like a table top.
  • You can't get the ball up there Go back a level: place it by hand first, then use the roll-back scoop for the foot stall, then try the neck stall from a foot stall.

Drill

  1. Juggling record: count your best run of keepy-uppies and try to beat it each session (20, then 50, then 100).
  2. Foot stall ladder: heel-down trap, then heel up and balance, then the roll-back scoop into the stall. Hold each as long as you can, rest, repeat.
  3. Neck stall shape: hold the bent-over, arms-out, head-up shape with no ball, then with the ball placed by hand. Hold, rest, try again.
  4. Film yourself from the side and check your back is flat and your head is up.
  5. Link it: foot stall, flick up, catch in a neck stall.

Sources

Last checked 2026-10-26.

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